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CBC / Applause-Meter.com review of If I Weren’t With You

Blog Entry — Kathryn Blair @ April 3rd, 2013

Katherine Fadum as Pam, Joe Slabe as Steve and JP Thibodeau as Allan in If I Weren’t With You by Joe Slabe, photo by Benjamin Laird.

Katherine Fadum as Pam, Joe Slabe as Steve and JP Thibodeau as Allan in If I Weren’t With You by Joe Slabe, photo by Benjamin Laird.

If I Weren’t With You – Review

If I Weren’t With You

April 1 – 20, 2013

Lunchbox Theatre

http://www.lunchboxtheatre.com/if-i-werent-with-you.html

Listen to my review from CBC Eyeopener athttp://www.cbc.ca/eyeopener/columnists/theatre/2013/04/02/jessica-goldman—if-i-werent-with-you/

 Below you’ll find the song list for the Joe Slabe’s world premiere musical, If I Weren’t With You, about what happens when a once happy marriage starts falling apart:

I Do

Everything is Fine

In the Beginning

Someone’s Always There

In Your Shoes

Tell Yourself You’re Happy

The Man in the Middle/If I Weren’t With You

If I Weren’t With You (Reprise)

Someone’s Always There (Reprise)

 

I give you this list not simply because it wasn’t printed in the program. (Which is wasn’t, and anyway what’s up with that? Please, please, please theatre companies…put the songs on the program!!)  I’m giving you the songs because I’m betting you’ll want to go back and read the titles to remember just how much you enjoyed listening to them in this predominantly lighthearted yet grounded in reality musical look at relationship issues.

Directed with finesse by David Leyshon, If I Weren’t With You adds up to a show with 80% comedy, 10% tragedy and another 10% reality in the narrative/lyrical mix. The musical starts with the marriage of Pam (fantastically played by Katherine Fadum) and Allan (JP Thibodeau sweetly playing a man who’s lost himself) who are young and in love with their whole lives ahead of them. The show then quickly fast forwards to several years later when the couple are not so young, not so happy and possibly turning away from the love part. Pam is working all the time not really communicating and Allan is trying to communicate but he’s not really listening. They’re at that awful stage when a marriage is in trouble where they say everything is ‘fine’ to each other, but we all know better. Behind their spouse’s back the couple is secretly dreaming of what life would have been like without each other and all the things they’ve given up to be together. As their frustration grows they begin to fight, say some pretty hurtful things and end up not talking at all. Or at least not to each other. But they do end up talking, separately to Steven (a somewhat stiff yet charming Joe Slabe); a single gay friend of Pam’s who plays the middle-man trying to get the couple to work things out. There is a bit of an emotional twist that gets revealed later in the play that I won’t give away, but it helps explain the genesis of the couple’s problems and it’s the roadblock they need to get past.

But back to the music.  All the songs in the show are written and composed by Slabe who provides a live accompaniment courtesy of a baby grand piano on the stage. It’s an interesting double duty Slabe is taking on here with both playing all the music and also acting a supporting role in the show and Leyshon handles this tricky directional challenge well. At times Slabe works in the background, dimly lit; simply providing the music.  When called upon, Slabe easily transitions into actor/singer and piano player role without any pesky directorial contrivance.

Of the ten songs in this one-act, fifty-minute show, I’m happy to say that I liked every single one. Thematically they all had a kind of jazzy, somewhat funky show tune standard kind of feel to them. So yes, nothing terribly risky or original, but does that matter when each song is eminently hummable and enjoyable on its own merits? With Slabe’s great piano playing and arrangements that guaranteed to tickle your earworms, I don’t think so. But really, it was the lyrics that won me over. If I Weren’t With You is a fairly generic storyline, but what saves this light musical from being nothing but a cliché, are Slabe’s quite funny, smart, insightful, and occasionally melancholy songs that don’t rely too heavily on hackneyed phrasing to make a point.  The ideas they convey maybe old and at times even overly retread, but the words sound fresh and entertaining and even poignant in places. Everything is Fine is a wonderful duet by the couple which has them claiming status quo to each other while wondering why they are secretly upset yet afraid to stir the pot. Someone’s Always There allows Fadum’s voice to shine as she laments that she is never lonely, but painfully aware that she never gets a minute to herself. In one of the best numbers of the show, Allan and Steve drunkenly sing In Your Shoes, a duet about how they wish they could trade relationship statuses with each other. And of course, If I Weren’t With Youhas the couple hilariously listing off all the things they wouldn’t have (acne, a fat ass, a boring home in the suburbs) and would have (better sex, regular sex, a career they loved) if only they were single and or married to someone else.

Sure the audience pretty much knows how it’s going to all work out, this is a light musical after all. But thanks to peppy direction, fun songs/lyrics and engaging performances, If I Weren’t With You is a delightfully lovely romp through someone else’s marriage struggles.

 

RATING

For the guys – Tired of the guy always being played as a buffoon in comedies about marriage issues? Not the case here. Allan is a relatable character and there is thankfully no attempt to make you take sides. SEE IT

For the girls – This is not adults behaving badly or genders tossed around as stereotypes. While the show is a funny light musical, it does touch on real issues that everyone can appreciate. SEE IT

For the occasional theater goer – A perfect one-act light musical. You’ll like the story, the music, the lyrics and the performers. SEE IT

For the theatre junkie – Sometimes even serious theatre goers just want to be entertained by a fun light, short show. This would be a good one for that. SEE IT

Cam Ascroft and Kira Bradley on OH! Christmas Tree

Blog Entry,OH! Christmas Tree,Video Interviews — Kathryn Blair @ December 20th, 2012

Cam Ascroft plays Algar and Kira Bradley plays Lucy in OH! Christmas Tree by Conni Massing at Lunchbox Theatre, Dec 3-22 2012. Call 403-265-4292 x 0 for tickets or go to http://tickets.lunchboxtheatre.com.

Calgary Sun review of OH! Christmas Tree

Articles and Reviews,Blog Entry,OH! Christmas Tree — Kathryn Blair @ December 14th, 2012

Photo courtesy Aaron Bernakevitch.Kira Bradley as Lucy and Cam Ascroft as Algar in OH! Christmas Tree by Conni Massing, a comedy decorated with all the appropriate trappings for seasonal fun.

Merry Mischef

Comedy for the season

By Louis B. Hobson, Calgary Sun | December 5, 2012

Christmas can bring out the best and sometimes the worst in people. This is the premise behind Conni Massing’s spirited little comedy OH! Christmas Tree, enjoying its premiere at Lunchbox Theatre.

Algar (Cam Ascroft) and Lucy (Kira Bradley) have been dating for three years and finally moved in together, which means this is the first Christmas they’ll be spending together because Algar has managed to miss the special event since the two began dating, and not by accident.

For Lucy, Chrismtas has always been an event cleebrated by her whole family, complete with a hokidat pageant she writes, directs, costumes and narrates.

The pressurse of Christmas have necessitated visits to Lucy’s pastor for guidance.

These sessions feature a hilarious gimmick as the pastor is simply gibberish on a tape recorder. Another freat fimmick is Terry Gunvordahl’s set, which allows for quick set changes behind a curtain during those guidance sessions and msot have to do with the condition of the tree.

Ascroft is a master at peppering Algar’s remarks with utter disdain and then punctuating them with a look to match.
No one plays hyper mannerisms better than Bradley, which means even a minor conversation between Lucy and Algar is a war of opposites.

Like Lucy, director Glenda Stirling is determined to keep the play moving at a mischievous pace, even when Massing introduces some rather dark character revelations.

 

OH! Christmas Tree
3 stars
Lunchbox Theatre til Dec. 22

Director
Glenda Stirling

Starring
Cam Ascroft, Kira Bradley

Calgary Sun Review of Second Chance, First Love

2012-2013 Season,Blog Entry,Second Chance, First Love — Kathryn Blair @ October 16th, 2012

Imperfect love perfectly staged in Lunchbox Theatre’s production of Second Chance, First Love

BY  ,CALGARY SUN. FIRST POSTED: | UPDATED: 

I laughed. I sniffled. I cheered.

I gasped in wondrous disbelief and I lost my glasses when I took them off to wipe the tears of joy from my eyes.

All that in just 55 minutes watching the world premiere of Caroline Russell-King’s new comedy Second Chance, First Love currently running at Lunchbox Theatre.

Second Chance, First Love is Russell-King’s companion piece to her Betty Mitchell Award-nominated Lunchbox play Mr. Fix It which she calls The Palliser Suite because these wise, witty, wonderful comedies are set in The Palliser Hotel.

Russell-King calls them a homage to Neil Simon and, like America’s master of deeply human comedies, Russell-King knows how to set up a joke but she also knows there can be laugher in pathos and pain in merriment.

Stanley (Wes Tritter) and Zelda (Valerie Pearson) were once a promising comedy duo in New York and budding lovers.

When Zelda came to Calgary to look after her ailing mother she and Stanley drifted apart.

Forty years later he’s been booked as a headliner at Stage West and they might just have a second chance at first love.

The laughs come fast, furious and sometimes ferocious because Tritter and Pearson attack the funny bone with Russell-King’s jokes and then they tug at heart strings when Stanley and Zelda bare they hearts and souls.

Talking about baring things, Pearson and Tritter strip down as they prepare to rekindle their old passions.

The fact you could hear a pin drop between each punch line is a tribute to Pearson and Tritter’s stellar acting.

They made us believe Zelda and Stanley were real people and not sit com caricatures so we believed we were spying on them.

The third character in Second Chance, First Love is Jason a young bellhop know played with forced charm and mounting disbelief by Adam Beauchesne.

He is youth in all its oblivious glory.

What adds to the hilarity of Lunchbox’s production is all the physical shtick that director Gail Hanrahan, Tritter and Pearson have devised.

Tritter’s entrance in full Olympic ski outfit is hysterical as are his slow burns of disdain. Of course his pompous airs are just a facade to cover his fears of aging and life and opportunity passing him by.

Pearson’s wrangling with Zelda’s smoking habit and her bombastic attempts to keep up her society matron facade are truly bittersweet.

Julia Wasilewski’s set is pure Palliser down to the mini lobby as we enter the theatre to the furnishings in the bed room.

Do yourself a favour. Check into Lunchbox Theatre’s Palliser suite where you’ll have a second chance to relish humour and heartache Russell-King style.

SECOND CHANCE, FIRST LOVE

Lunchbox Theatre until Oct. 27

Starring Wes Tritter and Valerie Pearson

Calgary Herald Interview with Caroline Russell-King

Articles and Reviews,Blog Entry,Second Chance, First Love — Kathryn Blair @ October 4th, 2012

Calgary playwright finds theatrical home at Lunchbox

BY STEPHEN HUNT, CALGARY HERALD OCTOBER 4, 2012

Photo courtesy Caroline Russell-King Calgary playwright Caroline Russell-King has found a theatrical home at the Lunchbox Theatre, where her new show Second Chance, First Love opens Monday

Playwrights long to find a theatrical home.

For Calgary playwright Caroline Russell-King, whose comedy Second Chance, First Love opens there next Monday, there’s never been any doubt about the address of hers: it’s the Lunchbox Theatre.

“I genuinely love Lunchbox,” she says. “I was literary manager here for three years, and I’ve been a dramaturge and commissioned by Lunchbox Theatre (a number of times in the past).

“This is my fourth production I think, so it feels like home.”

That passion for Lunchbox isn’t restricted to Russell-King, by any means. It’s simply a reflection of the theatre’s willingness to nurture new plays, through its annual Suncor Energy Stage One Festival.

Every June, the theatre spends a week workshopping a select number of plays, providing a hands-on menu of dramaturgy, direction and input from professional actors, who put scripts up on their feet, frequently giving playwrights their first opportunity to see and hear the story that up to that point existed only in their heads.

“Lunchbox has always had a firm commitment to developing new plays, new talent,” says Russell-King. “It’s part of the esthetic of this theatre company, and part of the passion of the artistic director (Pam Halstead). It’s also by necessity — because not everybody’s writing one-acts. And one of the things, quite frankly, I wanted to do was have secondary productions, and you can’t have secondary productions on a one-act so this is why I have the Palliser Suite.”

That’s Russell-King’s term for a trilogy of comedies she’s written (she’s working on the third one now) all set in the legendary Palliser Hotel.

It’s her very own homage to Neil Simon, who wrote a hotel trilogy (Plaza Suite, California Suite and London Suite) himself.

Second Chance, First Love is the second instalment in Russell-King’s trilogy, following 2010’s Mr. Fixit. It tells the story of Zelda and Stanley, two old lovers who reunite many years later at the Palliser Hotel.

And while the characters Russell-King writes about are all in transitions of a sort, she doesn’t feel setting a play in a hotel limits the stories she can tell.

“There’s a parameter to work within (setting a play in a hotel), but I don’t find that constraining,” she says. “It’s just like a canvas — I can still paint the picture, but I know where the canvas ends. Does that make sense? That sounds really artsy fartsy! Oh my God!”

Second Chances features Val Pearson, Adam Beauchesne and Wes Tritter, a veteran of many Calgary stages, who’s performed, according to Russell-King, in everything from Mel Gibson’s Bird on a Wire, to different productions at Stage West, Alberta Theatre Projects and Theatre Calgary.

“He came out of retirement (in Victoria) for my play!” she says. “I’m so honoured.”

Russell-King may have lived with her characters on the page, but having experienced comedy hands like Pearson and Tritter turn them into flesh and blood does produce surprises, she admits.

“They do (surprise me),” she says. “I have two old pros and they come up with stuff.”

In fact, the day she talks to the Herald, she is just back from sitting through a rehearsal. It turns out that, despite the fact that the show is pretty much nailed down and her work done, Russell-King still likes to make it to every one.

“I don’t have to (go to every rehearsal), but I like going, because it’s fun,” she says. “There’s really no place I’d rather be on earth than in a rehearsal hall where they’re doing my play. Are you kidding?”

n ON THE HORIZON

There once was a time when magazines featured illustrations, not photographs on their covers. This made a household name out of Norman Rockwell in the U.S., and a highly celebrated — and busy one — out of Oscar Cahen. He was a Canadian abstract painter and illustrator who drew numerous covers and illustrations for Maclean’s, Reader’s Digest, Chatelaine and others back in the 1950s.

Thursday the Museum of Contemporary Art opens the first solo exhibition of Cahen’s work ever, in Canada, with Oscar Cahen: Canada’s Groundbreaking Illustrator.

“He was our (Canadian) version of Norman Rockwell,” says MOCA’s Jeffrey Spalding. “His work dominated all of the magazines, and all of the covers — he defined the Mad Men era for us, moving from rural to urban sophistication.” The show features a number of original illustrations by Cahen, who died at the age of 40, in a 1956 car accident.

Also opening Thursday at MOCA is Marcel van Eeden: The Lone Lake Murders. The show presents 40 drawings by Van Eeden, a Dutch artist whose work has been exhibited at many of the world’s leading art museums, including the Museum of Modern Art in New York. The MOCA exhibit will be van Eeden’s first solo exhibition in North America.

Overall, says Spalding, “To our mind, (these are) the most important set of exhibitions we’ve ever done.”

* If the NFL really isn’t your bag, there’s a competition that’s more verbal than physical this Sunday at Shelf Life Books: the Calgary Spoken Word Society will host a Youth Poetry Slam Sunday afternoon at Shelf Life, at 2 p.m. It’s located at the corner of 4th St and 13th Ave SW.

* If you long for a little romance in your life, I can’t help you. But maybe the free concert October 9 at the University of Calgary will rekindle the romantic in your soul. That’s where Spanish guitarist Pedro Navarro will be performing, at 7:30 p.m. in the Eckhardt-Gramatte Concert Hall in the Rozsa Centre. It’s all part of a celebration of the reopening of the Aula Cervantes at the U of C, which is part of the Instito Cervantes, a global network of centres that promote Spanish language and culture. For more about Aula Cervantes and Pedro Navarro, go to www.arts.ucalgary.ca.

shunt@calgaryherald.com

twitter.com/halfstep

© Copyright (c) The Calgary Herald

Media Release: Jake’s Gift by Julia Mackey

Blog Entry — Kathryn Blair @ September 26th, 2012

Press Release/Media Call
For Immediate Release – September 26th 2011

Award Winning Veterans’ Play Comes to Calgary

Jake’s Gift by Julia Mackey

Calgary, AB Jake’s Gift has been garnering accolades and awards across the country since its debut performance in 2007 as part of Intrepid Theatre’s Uno Festival in Victoria, BC. A poignant one-woman show, performed entirely by Julia Mackey and directed by Dirk Van Stralen, Jake’s Gift makes its overdue Calgary debut this November at Lunchbox Theatre!

“When I first saw Jake’s Gift I was blown away by the magic of Julia’s performances and the powerful story that she had captured,” says Artistic Director, Pamela Halstead. “I tried to get her for Lunchbox in 2010 but her schedule was already filled over year in advance, so I am thrilled we are finally able to bring this gem of a production to Calgary audiences.”

Jake’s Gift is a powerful and surprisingly funny drama about a Canadian World War II veteran who reluctantly returns to Normandy, France for the 60th Anniversary of the D-Day invasion. While revisiting the beach he landed on sixty years earlier, Jake encounters Isabelle,  a ten-year-old local whose inquisitiveness and charm challenge the old soldier to confront some long-ignored ghosts – most notably the war-time death of his brother, Chester,  a once-promising young musician.

Jake’s Gift features Julia Mackey as Jake, Petite Isabelle, Grande Isabelle and Susan. The production team features director and stage manager Dirk Van Stralen and lighting designer Gerald King. Jake’s Gift runs October 24th to November 19th, Monday to Saturday at 12:10 pm, Fridays at 6:10pm and Saturdays at 7:30 pm.

The world’s longest running lunchtime theatre, Lunchbox Theatre is a professional company that caters to downtown office workers over the noon-hour by producing seven plays per season, as well as the Suncor Energy Stage One Festival and the Emerging Director Program. Lunchbox Theatre is located at the base of the Calgary Tower.

Media are invited to a Media Call on Monday, October 24 at 1:15 pm.

1:15 pm – B-Roll of Jake’s Gift (2 minute scene)
1:30 pm – Interviews as requested with creator Julia Mackey, director Dirk Van Stralen, or Lunchbox Theatre’s Artistic Director Pamela Halstead.

www.lunchboxtheatre.com

For more information, to RSVP, or to request an interview:

Kathryn Blair
Marketing and Communications
Lunchbox Theatre
403 265 4292 x 229
kathryn.blair@lunchboxtheatre.com

Calgary’s New Critics Awards Hand Lunchbox 4 Nominations

Tim Koetting (Critics Awards 2012 Nominee) and Miles Ringsred in Last Christmas. (Photo by Benjamin Laird Arts & Photo

Calgary Critics’ Awards honour 60 nominees in 14 categories

They saw, they reviewed, they discussed as a group and they agreed. Calgary Theatre Critics, Stephen Hunt and Bob Clark of the Calgary Herald, Louis B. Hobson of the Calgary Sun and Jessica Goldman of CBC’s The Eyeopener and applause-meter.com are pleased to announce the nominees for the first annual Calgary Critics’ Awards.

Nominees were chosen from any production performed in Calgary between August, 2011 and June, 2012, with the exception of Broadway Across Canada or Dancap performances. The winners will be announced at a free public award ceremony at 8pm on August 1st at the Auburn Saloon.

The 2012 Critter nominees are:

Best Production of a Play
Penny Plain – Alberta Theatre Projects
Playing with Fire: The Theo Fleury Story – Alberta Theatre Projects
Sia – Downstage
Summer of My Amazing Luck – Sage Theatre
Fool for Love – Sage Theatre/Shadow Theatre

Best Production of a Musical
Avenue Q –Storybook Theatre
Sweeney Todd: The Demon Barber of Fleet Street – Vertigo Theatre
Wizard of Oz – Alberta Theatre Projects
Jeremy de Bergerac – Forte Musical Theatre Guild
Joseph and the Amazing Technicolor Dreamcoat – Stage West

Best New Play
Take a Bite – Take a Bite Productions
Dad’s Piano – Lunchbox Theatre 
Taking Shakespeare – One Yellow Rabbit
Drama: Pilot Episode – Alberta Theatre Projects

Best Revival
Highest Step in the World – Ghost River Theatre
In the Wake – Downstage
When That I Was – The Shakespeare Company
Shirley Valentine – Theatre Calgary

Best Director Play
Ron Jenkins – Playing with Fire: The Theo Fleury Story – Alberta Theatre Projects
Vanessa Sabourin – Hunger Striking – Urban Curvz
Kevin McKendrick – Race – Ground Zero/Hit and Myth Productions
Georgina Beaty – Big Shot – Surreal SoReal Theatre/ Ghost River Theatre

Best Director Musical
George Smith – Avenue Q
Mark Bellamy – Sweeny Todd: The Demon Barber of Fleet Street – Vertigo Theatre
Glynis Leyshon – Wizard of Oz – Alberta Theatre Projects
Max Reimer– Joseph and the Amazing Technicolour Dreamcoat – Stage West

Best Actor in a Play
Haysam Kadri – Jim Forgetting – Verb Theatre
Dave McInnis – Fool for Love – Sage Theatre/Shadow Theatre
Chad Norbert – Hockey Mom, Hockey Dad
Ryan Luhning – Race – Ground Zero/Hit and Myth Productions

Best Actress in a Play
Jamie Konchak – Hunger Striking – Urban Curvz
Meg Roe – Mary’s Wedding – Alberta Theatre Projects
Denise Clarke – Taking Shakespeare – One Yellow Rabbit
Caley Suliak – Summer of my Amazing Luck – Sage Theatre

Best Actor in a Musical
Bruce Horak – Wizard of Oz – Alberta Theatre Projects
Kevin Aichele – Sweeney Todd: The Demon Barber of Fleet Street – Vertigo Theatre
Tory Doctor – Jeremy de Bergerac – Forte Musical Theatre Guild
JP Thibodeau – Avenue Q- Storybook Theatre

Best Actress in a Musical
Roberta Mauer Phillips – Jeremy de Bergerac – Forte Musical Theatre Guild
Madeleine Suddaby – Avenue Q – Storybook Theatre
Ksenia Thurgood – Wizard of Oz – Alberta Theatre Projects
Elizabeth Stepkowski Tarhan – Sweeney Todd: The Demon Barber of Fleet Street – Vertigo Theatre

Featured Actor in a Play or Musical
Alexander Plouffe – True Love Lies – Alberta Theatre Projects
Rejean Cournoyer – True Love Lies – Alberta Theatre Projects
Kevin Rothery – Fool for Love – Sage Theatre/Shadow Theatre
Bart Kwiatkowski– Avenue Q – Storybook Theatre
Tim Koetting – Last Christmas – Lunchbox Theatre

Featured Actress in a Play or Musical
Karen Johnson-Diamond – Last Christmas – Lunchbox Theatre 
Laura Parken – When Girls Collide – Vertigo Theatre
Monice Peter – Race – Ground Zero/Hit and Myth Productions
Mabelle Carvajal – Drama: Pilot Episode – Alberta Theatre Projects

Best Solo Performance
Shaun Smyth – Playing with Fire: The Theo Fleury Story – Alberta Theatre Projects
Julia Mackey – Jake’s Gift – Lunchbox Theatre 
Jon Lachlan Stewart – Big Shot – Surreal SoReal Theatre/ Ghost River Theatre
Raoul Bhaneja – Hamlet (Solo) – Hope and Hell Theatre in association with Richard Jordan Productions Ltd

Best Design
Narda McCarroll – Sweeney Todd – Vertigo Theatre
David Fraser – Playing with Fire: The Theo Fleury Story – Alberta Theatre Projects
Roger Schultz -True Love Lies – Alberta Theatre Projects
Bretta Gerecke -Enron – Theatre Calgary
Terry Gunvordahl – Rope – Vertigo Theatre

To attend the Calgary Critics’ Awards please RSVP to critterawards2012@gmail.com as soon as possible as there are a limited number of spots available. Doors open at 7pm with complimentary nibbles for everyone, the awards will begin at 8pm and the celebration will continue until they kick us all out.

The Calgary Critics would like to thank their event sponsors: Calgary Herald, Calgary Sun, Davis Jensen Law, Bottom Line Productions, Auburn Saloon, The Collectors’ Gallery of Art and Petrocraft Storage Inc. for their support and enthusiasm.

Read More at Applause!Meter

Read More at The Calgary Herald

Herald Article Highlights Peril in Paris Betty Nods

Vertigo’s Demon Barber and Lunchbox’s Peril in Paris lead Betty nominations

Published By Stephen Hunt July 3, 2012

Peril in Paris receives 8 Betty Nominations including Best New Play and nominations for actors Scott Shpeley, Jamie Konchak & Daniel Mallet (shown left to right). Photo by Benjamin Laird Arts & Photo

A murderous baritone barber, a moustache-twirling melodrama set in early 20th-century Paris and a homegrown theatrical puck de resistance were among the big winners Tuesday, when nominations for the 2012 Betty Mitchell Awards were announced.

Vertigo’s Sweeney Todd: Demon Barber of Fleet Street and Lunchbox Theatre’s production of Perils of Paris, by Eric Rose and Ethan Cole, each snagged eight nominations, including nods for Best Musical, Musical Direction, Actress in a Musical (Jamie Konchak for Peril and Elizabeth Stepkowski-Tarhan for Sweeney) and Performance by an Actor in a Musical (Kevin Aichele in Sweeney, Scott Shpeley in Peril).

Outgoing Vertigo artistic director Mark Bellamy received a nomination for his direction of Sweeney Todd, his final show as Vertigo’s artistic director.

“I am thrilled,” Bellamy said, in an e-mail. “Having a play that you’re so passionate about be recognized by your community makes the honour of being nominated even more meaningful. Receiving nominations in eight categories is a testament to the incredible team that we had on this show.”

For Bettys steering committee chair Trevor Rueger, “the thing that stuck out for me was the number of first time nominees. People like Daniel Mallett in Perils of Paris, Cheryl Hutton of SHE, Scott Shpeley (in Perils in Paris).”

For Verb Theatre’s co-artistic director Jamie Dunsdon, who directed double nominees Haysam Kadri (for leading actor) and Shawna Lori Burnett (for leading actress) in Col Cseke’s Jim Forgetting, a drama about the emotional impact of early onset Alzheimer’s, being recognized with multiple Betty nominations means a lot.

“Calgary has a warm and welcoming and inviting theatre community,” she said, “and the Bettys are a way of formalizing that — hey, we noticed you! It’s nice to be noticed. It makes me happy to be from Calgary.”

Playing With Fire: The Theo Fleury Story, was one of seven Alberta Theatre Projects productions to receive nominations. It was nominated for best play, new play, director (Ron Jenkins), actor in a drama (Shaun Smyth), set design (David Fraser) and sound design (Matthew Skopyk).

Other ATP shows receiving nominations were Ash Rizin’ (five), The Wizard of Oz (five), Mary’s Wedding (five), True Love Lies (two), Good Fences (a co-production with Downstage) (two), Drama: Pilot Episode (two) and Penny Plain (one).

It all added up to 29 nominations for ATP, or more than double the next highest company, Lunchbox, which had 11.

Vertigo received the third most nominations with nine, with Forte Musical Guild (five), Theatre Calgary (six), Urban Curvz (four), Downstage (three), Sage (three), Calgary Opera (three), Ghost River (two), Verb (two) and Ground Zero (two) all receiving multiple nominations.

Y Stage, Trepan, Stage West and the Shakespeare Company received single nominations.

Kevin Rothery received a best supporting actor nomination for playing the part of Martin in Sage Theatre’s production of Fool for Love, a role he first played almost two decades ago, in a Theatre Junction production of the same show.

“It was fun to revisit (the part of Martin) as a more mature man,” he said. “He’s not a man of action, but he tries his best.”

For Karen Johnson-Diamond, who earned her fifth Betty nomination for her role in Edmonton playwright Stewart Lemoine’s When Girls Collide, the thrill lay in performing a play by one of her favourite writers.

“I feel indebted to (director) Trevor Rueger, who is an excellent leader of Lemoine,” she said, “and to Lemoine himself.”

Johnson-Diamond also was thrilled that Lunchbox Theatre received the second-most nominations, and also by the quality of the new work this city produced this year, pointing to the best new play nominations, which were all written by Calgary playwrights, including Karen Hines (Drama: Pilot Episode), Rose and Cole (Peril in Paris), The Downstage Creation Ensemble (Good Fences), Kirstie McLellan Day (Playing With Fire) and Joe Slabe (Jeremy de Bergerac).

“Isn’t it phenomenal?” she asked.

The Bettys will be presented Aug. 27 at Stage West.

Read more at The Calgary Herald

Eleven 2012 Betty Mitchell Award Nominations for Lunchbox

15th Annual Betty Mitchell Awards August 27th, 2012. (Image courtesy Betty Mitchell Awards)

2012 Betty Nominations were announced Tuesday, July 4, 2012 at The Auburn by 2012 Bettys host Russel Bowers. The Bettys will be presented August 27 at Stage West. The event is open to the public. For more information about the awards and purchasing tickets visit www.bettymitchellawards.com

For a complete list of nominees, click here

The following are categories for which Lunchbox Theatre and artists in collaboration with Lunchbox received nominations for:

Outstanding Performance By An Actor In a Supporting Role

Kyle Jespersen – Ash Rizin — Alberta Theatre Projects

Daniel Mallett – Peril in Paris – Lunchbox Theatre

Joe Perry – Sia – Downstage

Alexander Plouffe – True Love Lies – Alberta Theatre Projects

Kevin Rothery – Fool for Love – Sage Theatre/Shadow Theatre

 

Outstanding Costume Design

Patrick Clark– A Christmas Carol – Theatre Calgary

Brian Craik – Joseph and the Amazing Technicolor Dreamcoat – Stage West

Deitra Kalyn – Sweeney Todd: The Demon Barber of Fleet Street– Vertigo Theatre

John Pennoyer – The Wizard of Oz- Alberta Theatre Projects

Tyler Sainsbury – Peril In Paris- Lunchbox Theatre

 

Outstanding Sound Design Or Composition

Ethan Cole- Peril in Paris – Lunchbox Theatre

Kyprios – Ash Rizin – Alberta Theatre Projects

Matthew Skopyk – Playing with Fire: The Theo Fleury Story – Alberta Theatre Projects

Joe Slabe – Jeremy de Bergerac – Forte Musical Theatre Guild

Matthew Waddell — Mary’s Wedding –Alberta Theatre Projects

 

Outstanding Musical Direction

Ethan Cole – Peril in Paris – Lunchbox Theatre

Kyprios — Ash Rizin –Alberta Theatre Projects

Joe Slabe – Jeremy de Bergerac – Forte Musical Theatre Guild

Joe Slabe – The Wizard of Oz – Alberta Theatre Projects

Stephen Woodjetts – Sweeney Todd: The Demon Barber of Fleet Street – Vertigo Theatre

 

Outstanding Performance By An Actor In A Comedy Or Musical

Kevin Aichele – Sweeney Todd: The Demon Barber of Fleet Street – Vertigo Theatre

Tory Doctor – Jeremy de Bergerac – Forte Musical Theatre Guild

Bruce Horak – The Wizard of Oz – Alberta Theatre Projects

Christopher Hunt – Dad’s Piano –Lunchbox Theatre

Scott Shpeley – Peril in Paris – Lunchbox Theatre

 

Outstanding Performance By An Actress In A Comedy Or Musical

Nicola Cavendish – Shirley Valentine – Theatre Calgary

Cheryl Hutton – SHE – Trepan Theatre

Karen Johnson-Diamond – When Girls Collide – Vertigo Theatre

Jamie Konchak – Peril in Paris – Lunchbox Theatre

Elizabeth Stepkowski Tarhan – Sweeney Todd: The Demon Barber of Fleet Street –Vertigo Theatre

 

Outstanding New Play

Ethan Cole and Eric Rose — Peril in Paris

The Downstage Creation Ensemble (Ellen Close, Ethan Cole, Col Cseke, Anton de Groot, Nicola Elson, Braden Griffiths and Simon Mallett) — Good Fences

Karen Hines — Drama: Pilot Episode

Kirstie McLellan Day — Playing with Fire: The Theo Fleury Story

Joe Slabe — Jeremy de Bergerac

 

Outstanding Production Of A Musical

Ash Rizin – Alberta Theatre Projects

Jeremy de Bergerac – Forte Musical Theatre Guild

Peril in Paris –Lunchbox Theatre

Sweeney Todd: The Demon Barber of Fleet Street – Vertigo Theatre

The Wizard of Oz – Alberta Theatre Projects

 

Outstanding Performance By An Actress In A Drama

Shawna Lori Burnett – Jim Forgetting- Verb Theatre

Jamie Konchak – Hunger Striking – Urban Curvz

Jamie Konchak – Fool for Love – Sage Theatre / Shadow Theatre

Julia Mackey – Jake’s Gift –Lunchbox Theatre

Meg Roe – Mary’s Wedding – Alberta Theatre Projects

 

Outstanding Production Of A Play

Big Shot – Surreal SoReal Theatre /Ghost River Theatre

Jake’s Gift – Lunchbox Theatre

Mary’s Wedding — Alberta Theatre Projects

Penny Plain – Alberta Theatre Projects

Playing with Fire: The Theo Fleury Story – Alberta Theatre Projects

CalgaryMusicals.com Blogs About Our Upcoming Musicals Next Season

2012-2013 Season,Articles and Reviews,Blog Entry — Kathryn Blair @ June 4th, 2012

Lunchbox Serves Up Two Canadian Musicals in 2012-2013

By Lynne Marie Calder, June 2, 2012,  CalgaryMusicals.com

Ah, June! And with that, time to catch up on more season launches as the 2011-2012 season winds down. As usual, Lunchbox Theatre has a couple of musicals in their 2012-2013 programme of mostly Canadian plays (including several premieres). The first is Blanche: The Bittersweet Life of a Wild Prairie Dame by Onalea Gilbertson. I was intrigued by the story about her experience with this show at the New York Musical Theatre Festival in Theatre Alberta’s spring On Stages magazine online, so I’m glad we’re going to get a chance to see it here in Calgary. The second is the world premiere of a new musical comedy by Joe Slabe, called If I Weren’t With You. I don’t know much about this one, but I have yet to see one of Joe’s shows that I didn’t like, so I’d think that’s a good bet too.

There’s a third show I’m even more excited about, although it’s not a musical, and that’s The Bob Shivery Show by award-winning Saskatchewan playwright David Sealy. David and I are currently writing a musical comedy, No Ordinary Tulip, about a struggling shopkeeper who gets swept up in Holland’s 1637 tulipmania crisis when people traded single tulip bulb futures for the price of a house. We met a few years ago at the Alberta Playwrights Network (APN)/Theatre Alberta Playworks Ink conference in Calgary. He had won the APN playwriting award for The Bob Shivery Show and as part of his prize, his show got a public reading at the conference.

At the time I was working on a musical about a woman who sets her ex-husband’s house on fire on Christmas Eve when she finds herself accidentally pet-sitting for him and his new wife (My Very Worst X-Mas). I was struggling with how I was going to portray the animals on stage, and The Bob Shivery Show has a cat in it, so I approached David after the show to ask him how he planned to do that. We got to talking, and he said he had always been interested in writing a musical, and I said I was really interested in finding a playwright to work with me on my tulip musical so I could focus on just the music and lyrics, instead of doing everything, as I’d done for my previous show, Eve: The True Story (Calgary Fringe Festival, 2008). And thus a fruitful cross-province, mostly virtual, collaboration was born. We hope to see No Ordinary Tulip on stage in 2013, and are looking for a producer, if you happen to know (or be!) one. Anyway, I am delighted for David that The Bob Shivery Show was selected to start of Lunchbox’s 2012-2013 line-up, and I am really looking forward to seeing it up on stage (cat included).

Read More at CalgaryMusicals.com

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